“A very long time in the past, in a galaxy far, distant.” So opens nearly every Star Wars story. It’s a reminder of one thing we, and the broader collection itself at instances, typically forgets: to observe Star Wars is to be witness to the history of a universe, retellings of mythos and the previous in equal measure. So few bits of Star Wars, and writing about Star Wars, truly treats its occasions as such—however one latest launch that truly does makes an extremely compelling case for a way we critically strategy Star Wars as each a chunk of media and as a canon.
Star Wars: The Rise and Fall of the Galactic Empire, by Dr. Chris Kempshall, got here out final month. Written from the in-universe perspective of historian Beaumont Kin (Dominic Monaghan’s character in The Rise of Skywalker) shortly after the occasions of the Battle of Exegol, the e-book is neither a dramatic retelling of Star Wars‘ previous and the start and supreme finish of Palpatine’s plans for the galaxy, neither is it a dry guidelines of details in regards to the Star Wars galaxy primed to right away uploaded to the closest fan wiki like plans for the Dying Star. It’s, as its faux-author would indicate, handled like a e-book about historical past.
It examines techniques—fictional techniques—that allowed the Galactic Empire to type over a long time, and locations these techniques within the context of each the timeline of the Star Wars films and the narrative transition from the decline of the Republic by the point of The Phantom Menace, into the peak of the Empire because it exists after we first meet it in A New Hope. It’s suffering from footnotes to sources that aren’t actual, like in-universe biographies or the archival information of varied state our bodies. It discusses the work of different historians and writers within the subject which are both fully new made-up characters, acquainted faces from the movies, and even free nods to different precise Star Wars authors.
After all none of it’s actual: it’s Star Wars, a magical historical world with wizards which have laser swords and starships that may skim by house straight away. However Rise and Fall treats Star Wars in its entirety as a world to be studied and analyzed, not in a way of collating uncooked details about it, however in a means that invitations us to query its narrative and the views we glimpse that narrative by.
Certainly one of my favourite methods Rise and Fall does this happens just a few instances within the e-book. Two sections all through its exploration of the Empire’s historical past, its administrative and navy construction, and its approaches to business, surveillance, and public spirit within the face of rising insurgency, take a pause to primarily simply dump a bunch of stills from the varied Star Wars films and exhibits. Identical to the remainder of the data within the e-book, nonetheless, they’re handled not as photos from Star Wars, the transmedia franchise, however documentation from inside the universe itself. Every picture is given a supply, very similar to the varied footnotes elsewhere within the e-book.
A picture of Palpatine speaking to the Senate to declare the founding of the Empire in Revenge of the Sith is sourced as being “preserved and rebroadcast by Imperial Authorities.” An iconic nonetheless of the Battle of Endor is sourced from the gun digicam of an Imperial Navy lieutenant’s TIE Interceptor. This is applicable to in-universe media too, like propaganda posters, and even real-world art work now handled as such: promotional idea artwork for the 2015 Star Wars: Battlefront Jakku map, launched as DLC ahead of The Force Awakens, is described in Rise and Fall as being commemorative artwork made for a ceremony marking the tenth anniversary of the battle.
It’s not simply gleeful geekery, nonetheless. In attaching these “actual” sources to literal recognizable photos from the movies and exhibits, Rise and Fall needs the reader to contemplate these sources as we re-examine these photos. You’re not being requested to contemplate Star Wars as you watch it, however to contemplate perspective and bias.
What does it imply that that this shot of two Star Destroyers slamming into one another resulting from Insurgent motion was captured by a Y-Wing pilot’s ship cameras? What does it imply to disseminate that picture into the Star Wars galaxy from an Alliance supply? What’s the supply system and context of this data, what’s the intent we are supposed to take from how it’s offered to us, and by who? What does it imply that each one that is wrapped up within the presentation of a personality like Beaumont Kin, a historian turned resistance fighter who grew up amid one galactic conflict, and took half in one other by the point he was a younger man?
These will not be questions Star Wars fiction typically asks us to consider, however it’s the way in which that we, in the actual world, look at our personal historical past, artwork, and tradition. Hardly ever are we collating details in regards to the previous, however analyzing numerous historic interpretations of these details, cross-examining completely different sources and questioning their views and the biases they create to their arguments. You’ll be able to’t actually do this with Star Wars, due to course, Star Wars just isn’t actual. You’ll be able to simply make up a supply that fits the story you wish to inform and say {that a} factor occurred, since you’re creating fiction. It’s pretend and in house! However Rise and Fall nonetheless provides us an attention-grabbing template for approaching Star Wars as an viewers that goes past the pure nature of consuming a canonical reality about its universe and its characters.
We are able to strategy any piece of Star Wars media as we do artwork basically, after all—to contemplate the interpretation of writers, administrators, artists, how that perspective informs the work itself. However what if we utilized that inside the story of Star Wars itself? What if every part we watched and browse and interacted with in Star Wars was not thought of a definitive, canonical reality of an occasion, however merely one perspective that could possibly be incomplete or could possibly be biased to a sure viewpoint? What if we might revisit a second with a brand new lens, one that gives new context and knowledge, that modifications what we thought was true about it?
We saw this most recently in The Acolyte and its flashbacks to the night time Osha and Mae Aniseya’s lives modified after a cadre of Jedi encountered their moms’ coven on Brendok. Whether or not or not the collection was fully profitable in doing so throughout its two flashback episodes is basically neither right here nor there. It was nonetheless the uncommon piece of Star Wars media that, in real-time because the collection rolled out over the weeks, requested us to contemplate the in-universe perspective of what data we have been being given, and implied that the viewers mustn’t take it as an unequivocally true recollection of its occasions.
A lot of Star Wars, particularly in its up to date type after the rebooting and reshuffling of continuity post-Disney-acquisition, is about delivering details about its world and characters to be interpreted as knowledge. It was about establishing additive, definitive truths in regards to the saga and its occasions, at a time when the main points round that saga have been as soon as once more being fleshed out after the slate was cleaned. Now, a decade into that endeavor once more, Star Wars continuity is arguably approaching some extent of overwhelming, arcane, and obtuse quantities of truth because it was on the top of the outdated expanded universe.
Alongside the way in which in that course of, the viewers has been educated to deal with Star Wars each as a vector for brand new data to study its world, and that every part it places out is a source to be mined for a singular canonical interpretation: that is how this specific occasion occurred, that is who was there, that is how they felt about it, that is the authoritative model of this specific story.
Rise and Fall‘s re-interpretation of Star Wars‘ personal historical past gives an alternate, one which begins to coach its reader, utilizing real-world crucial methods, to contemplate Star Wars‘ narrative not as essentially a canonical reality, however a narrative instructed to us influenced by perspective and bias. In doing so, it, and tales alongside it like The Acolyte or The Final Jedi, begins to entertain the notion that Star Wars can inform tales which are extra open to interpretation, and being reshaped by new contexts, and being challenged as “true” inside the fiction of its world.
That concept is perhaps pushed again in opposition to at instances, particularly in a fanbase that, as we mentioned, has largely been educated by the fabric to deal with data as cut-and-dry, canonical or non-canonical. But it surely’s one which emboldens Star Wars to be extra daring with its storytelling, to be assured sufficient to ask its viewers to problem what they’re seeing, and be open to recent views on its world. And that makes Star Wars stronger, extra fluid, and extra laden with potential than it has been for an extended whereas.
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